Review: Mary Poppins at Sunderland Empire

Practically perfect in every way…
From the moment the Banks’ house unfolds like a doll’s house, the production’s attention to detail is impressive. The set design perfectly captures the whimsy and wonder that defines Mary Poppins, setting the tone for an enchanting evening.
Both leads are reprising their acclaimed roles from earlier UK tour runs and the Australian production. Stefanie Jones shines as Mary Poppins, her dazzling vocals and graceful poise striking the perfect balance between charm and discipline. Alongside her, Jack Chambers’ Bert is an undeniable highlight – bursting with energy, charisma, and a natural rapport with both the children and the audience. His dance-work, in particular, is outstanding, and his ability to tell a story through movement and expression truly steals the show.

The supporting cast delivers strong performances throughout. Michael D. Xavier (George Banks) and Sarah-Marie Maxwell (Winifred Banks) bring emotional depth and a touching sense of realism to the challenges of marriage and parenthood. Connie Jones and Oliver Manning as Jane and Michael Banks are delightful, brimming with energy and confidence in their seamless performances. Comic relief comes courtesy of Wendy Ferguson (Miss Andrew), Emma Harold (Miss Brill), and Ruairidh McDonald (Robertson Ay), each perfectly cast and adding light-hearted moments that balance the show out beautifully.
Choreography by Matthew Bourne and Stephen Mear is nothing short of spectacular. The ensemble numbers – especially Supercalifragilisticexpialidocious and Step in Time (the latter a clear audience favourite) are vibrant, intricate, and executed with infectious precision. While some scenes take on a slightly darker tone than expected, which may unsettle younger viewers, these moments add welcome depth and contrast to the story.


The score, blending the Sherman Brothers’ timeless classics with new songs by George Stiles and Anthony Drewe, is a joy throughout. Combined with the show’s magical effects, from Mary’s gravity-defying flights to props that appear and vanish in an instant, the production keeps the audience in constant awe, with audible gasps and spontaneous applause echoing through the theatre.
In all, Mary Poppins at Sunderland Empire is a truly captivating night at the theatre — a must-see for fans of the film and newcomers alike. As the curtain fell and the audience rose to their feet in song and applause, it was clear: this production is practically perfect in every way.