Review: The Hollow at Newcastle Theatre Royal

Set against the genteel surroundings of an English country estate, the story brings together a fascinating group of guests for a weekend, all harbouring their own secrets, jealousies and unrequited passions. At the centre of course is Belgian detective Hercule Poirot, who finds his anticipated peaceful country holiday interrupted by a shocking murder. A gunshot, a body and a revolver in an unsteady hand make the case appear relatively straightforward – but, as any Christie fan will know, appearances are rarely what they seem.

This new touring production, directed by Lucy Bailey and adapted by Tamsin Oglesby, takes a slightly different approach to the familiar Christie formula. Rather than relying solely on the mechanics of a murder investigation, it delves into the complicated relationships and emotional tensions simmering within the household. There’s romance, rivalry, resentment and plenty of dark humour, giving the story a psychological depth that makes it feel surprisingly contemporary.

Peter Polycarpou takes on the role of Poirot, bringing considerable theatrical experience to one of literature’s most recognisable detectives. Victoria Blunt is the independent and intriguing Henrietta Angkatell, Sarah Moyle the eccentric Lady Lucy, and Michael Praed is Sir Henry.

Originally published in 1946, The Hollow is one of Christie’s more character-driven mysteries. Its combination of sharp observation, family tensions and carefully-concealed secrets provides plenty for audiences to unravel.

For lovers of classic crime fiction, this is an entertaining production, offering all the ingredients of a traditional Christie mystery along with a more thoughtful exploration of the people behind the crime. And, of course, the pleasure of trying to get there before Poirot does.

See The Hollow at Newcastle Theatre Royal until Saturday 14th November.